After making his initial mark with a grinding fog of slowed Techno on Sigha's Our Circula Sound label, Michael Jefford aka Positive Centre has traversed the electronic BPM scale with a sonic signature of ghostly synthetics that make the switch between industrial aesthetics and illusory sound-scaping.
Within this nucleus, Jefford's recorded history as a Live Performing Artist, DJ and Producer has always reflected what at once can be microscopic, whilst still being the largest object in view. Each track on Forever Optimum sets a different location and perspective on an active set of mechanics - like watching fragments in motion, reacting to different forces.
Having previously released for a range of Techno's more adventurous labels including SNTS, Stroboscopic Artefacts, Opal Tapes and not forgetting his own In Silent Series label. Positive Centre's 3rd Album 'Forever Optimum' stands as a beautiful anomaly in the 2018 HORO catalogue. Continuing the point of the HORO label: being open to the beguiling musical arcs that keep us redefining our sound.
pos | title |
---|---|
A1 | Hydrostatic Pressure |
A2 | Kondakovia |
A3 | Glass Teeth |
B1 | Exhibit Structures |
B2 | Forever Optimum |
B3 | Ossified Cobat |
C1 | Cold Seeps |
C2 | The Pincer Meeting |
C3 | Sedentary Echo |
C4 | Hatchet Chimera |
D1 | Manganese Scales |
D2 | Ostracod |
D3 | Conical Photophore |